I’ve spent nearly two decades in Los Angeles, working in the “industry” — collaborating, compromising, shaping other people’s visions, and learning how the machine moves. That work taught me a lot. But it also made me realize how rare it is to make something untouched by consensus. No notes, no layers of approval, no “directing by committee.” Just a clear line between thought and execution.
This work comes from that place— the same place a kid draws without worrying if it’s good. It’s instinctive, intuitive, and often obsessive. It’s not about proving anything. It’s about following an idea until it’s real— not polished, not perfect, but mine.
And if you sense something underneath it all, maybe you’re right.
